Charles Michener is impressed with his first encounter with Disney Hall. “If the flamboyant façade doesn’t attain quite the iconic power of the Sydney Opera House as a city-defining monument (there’s no dramatic vantage point from which to view it whole), its interior radically redefines the experience of concertgoing. People in the concert business tell me that it takes about three years for an orchestra and a new hall to settle down acoustically. What I heard at Disney Hall suggests a marriage that is off to a roaring start.”