The Basel Art Fair is “strategically timed to consolidate the impressions made and deals struck in Venice [at the Biennale]. This year we could not wait to leave the pavilioned heat and enter the temperate climate of Switzerland and the air-conditioned neutrality of Basel’s exhibition halls. It was not only the most searing heat since 1908, nor humidity pushing 90 per cent, nor 40,000 art professionals who for three days were simply pushing, that made this the most disappointing Biennale for many years. There was a strong sense that the exhibition’s format had run its course.”