Major orchestral tours, such as the one just completed by the San Francisco Symphony, are massively complicated and expensive affairs, involving the transport of over a hundred individuals, instruments, and other equipment. Halls must be booked, tickets must be sold or their cost made up, and hotel rooms must meet the exacting standards of the musicians’ contract. Says critic Joshua Kosman, “You might think a project like that would be expendable, especially in these lean financial times. You’d be wrong.”