Screenplay Nation

Used to be that writing programs at universities turned out plenty of eager young writers who dreamed of getting a story published in the New Yorker. These days they’re still eager, but they’re increasingly cashing in with big screenplay and book contracts. “The growth of these programs is a function of the amazing number of first-book contracts and film options that are making some young writers rich. About 40 percent of the 600 to 1,000 manuscripts we receive each quarter come from students in these programs.”