The Kennedy Center’s International Ballet Festival has, in many ways, “been successful – the sold-out houses, the fodder for discussions of style, form and substance, the views of dancers and works we do not often see here. One hopes it will inspire more such collaborative events. But in some ways the festival has been indifferently executed. In the parade of excerpts that has constituted the bulk of the festival, excerpts performed without sets, out of context and lacking atmosphere, what has been missing is the very thing this festival was designed to highlight: artistic impact and style. Why did the Kennedy Center allow the companies free rein?”