Penguin Classics is “freshening its lineup. That means some authors get new attention while others get dropped. “Just as editors pretend to second-guess the market (whilst in fact trying to repeat their rivals’ success), so Penguin Classics has been led by the nose towards the current milch-cow of Victorian genre fiction. Readers brought up on the pastiche melodramas of Sarah Waters, Peter Ackroyd, Peter Carey, Charles Palliser, et al, are hungry for the real thing. Hence the popularity of Wilkie Collins, whose 1860s sensation novels were massive in their own time, but sank without trace during the 100 years after his death.”