The closing of the new-music label CRI in January changed the classical music landscape. “CRI, for many listeners, was not just an entree into new music but appealed to an anarchic way of listening: adventurously, without expectations, and individually, as an explorer of sound unfettered by what authorities (critics, professors, pompous friends) dictate. Young listeners, tired of whatever music they were weaned on, could find music on CRI that was, by virtue of being the forgotten avant-garde of 20 years before, far more foreign and fascinating than the newest of the new.”