“In the United States, at least, dance theater often amounts to mawkish dancing to the choreographer’s own low-grade romantic poetry, clichéd movement interpretations of blundering political rants, or performance art studded with feeble moments of affectless gesture. In each case, the perpetrator pumps up one medium at the expense of the other. But in witty Aerobia, an agile and nuanced relationship develops between the talking and the dancing.” The New York Times 11/11/01 (one-time registration required for access)