Theatre producer Cameron Mackintosh used to be a money machine, with a string of worldwide music theatre hits. But since “Miss Saigon,” his last big world-wide hit ten years ago, his track record has been shaky: ” ‘Moby Dick’ sank, ‘Martin Guerre’ staggered through three incarnations before closing, and last year his Sondheim compilation, ‘Putting It Together’, stumbled and fell on Broadway. Will his new “Witches of Eastwick” turn his luck around? – Sunday Times (UK)