Toronto’s Three Big Theatres Need A Miracle Worker To Reinvent

I’d call it a rescue mission, because each of these three theatres has lost its way in recent years. Now, they need to be reinvented in order to help Toronto solidify its place as one of North America’s top theatre destinations – a reputation that also depends on the Mirvish organization with its four theatres, a lively fringe scene and two internationally renowned summer festivals (Stratford and Shaw) within easy reach of the city.

Selling Out? Why Is That Always A Bad Thing?

We’re all familiar with the way the artistic life gets romanticized as a struggle, but it’s time to put this harmful stereotype to rest; some may be happy waiting tables, asking their friends to support their Kickstarter campaigns or taking every odd gig in hopes they’ll finally get noticed or “make it.” But it’s not the only way. “Selling out,” when it enhances our work without compromising our creativity or our values, is a good thing, and putting a priority on revenue is not the same as betraying our principles. Indeed, nothing compromises our principles more than not having the resources to promote them.

After Oakland Fire, Cities Around America Are Evicting Artists In Sub-Code Spaces

In Baltimore, for example: “We have a shortage of those spaces,” he said of properties where artists can live, work or perform. “This is a great arts city, and it needs to continue to be that way. No one wants Baltimore to become like D.C., where there are no artists who can afford the rent. If we don’t get a space out of this, then that’s basically Baltimore City telling us they don’t want us to exist.”

Why Scorsese’s ‘Silence’ Is So Different From Most ‘Faith-Based’ Films

“‘Faith-based film’ is the label typically used to describe movies with an agenda: Some, like 2016’s Risen, exist to proselytize, while others, like 2014’s God’s Not Dead, seek to make a narrow argument about politics or culture. For some audiences, this kind of work may be satisfying, and that’s fine. But ultimately, movies in this genre usually aren’t designed to complicate or challenge people’s worldviews; they’re not created to deepen people’s understanding of themselves and the world. Silence, by contrast, treats faith not as a simple point to be made, but as a heart-wrenching puzzle.”