A Neuroscientist Explains How Our Brains Grapple With Abstract Art

“The mind-bending point that Eric Kandel makes is that abstract art, which strips away the narrative, the real-life, expected visuals, requires active problem-solving. We instinctively search for patterns, recognizable shapes, formal figures within the abstraction. We want to impose a rational explanation onto the work, and abstract and minimalist art resists this. It makes our brains work in a different, harder, way at a subconscious level. Though we don’t articulate it as such, perhaps that is why people find abstract art more intimidating, and are hastier to dismiss it. It requires their brains to function in a different, less comfortable, more puzzled way. More puzzled even than when looking at a formal, puzzle painting.”

Rambo Takes A Pass On Running The NEA

The actor said he’s “incredibly flattered to have been suggested to be involved with the National Endowment for the Arts (NEA),” but he’d be better suited for a role helping veterans. “I believe I could be more effective by bringing national attention to returning military personnel in an effort to find gainful employment, suitable housing and financial assistance these heroes respectfully deserve.”

The Battle For The Heart And Soul Of The Bay Area

The basics: “While one group of recyclers is valorized and financially rewarded for their efforts, another constituency is criminalized and harassed for simply trying to live. Where do we draw the line between art and trash, between good recycling and bad? The answer to this question is at the core of the battle being fought for the soul of the region.”

The Harpsichordist Who Survived Three Concentration Camps And Communist Persecution

Zuzana Ruzickova fell in love with piano and harpsichord early – and then the Nazis took her family to Terezin (Theresienstadt). “She insists music helped her survive. She remembers writing down a small section of Bach’s English Suite No 5 in E minor on a scrap of paper when she left Terezin in a cattle truck bound for Auschwitz.”

What Is Time? Perhaps It’s No More Than Our Own Experience Of It

“For more than two thousand years, the world’s great minds have argued about the essence of time. Is it finite or infinite? Does it flow like a river or is it granular, proceeding in small bits, like sand trickling through an hourglass? And what is the present? Is now an indivisible instant, a line of vapor between the past and the future? Or is it an instant that can be measured – and, if so, how long is it? And what lies between the instants?” Adam Burdick argues that the first thinker we know of who got it right was St. Augustine.