No End In Sight For CD Slump

A research group is predicting that the worldwide slump in music sales will continue for at least the next two years, with total sales falling by as much as $500 million in the next year. But the report also predicts that sales will begin to nose upwards in 2006, largely as a result of the anti-piracy efforts of the industry.

Indies Slumping, Too

In Boston, two major music stores owned by national chains have closed, amid much gnashing of media teeth over the state of the industry. But independent record stores, which depend on a small cadre of loyal customers to survive, are dropping like flies in the city, and no one seems to notice or care. “To counter falling sales, managers are cutting their staffs, strengthening their services, pricing their CDs competitively, and expanding stock to include videos, DVDs, and clothing.”

Youth Figures In WTC Memorial

“As far as visuals go, the coolest design is, without much doubt, the project by Gisela Baurmann, Sawad Brooks, and Jonas Coersmeier, all three of whom live in New York. The center of their design is something called the Memorial Cloud, a field of tubes that is flat and see-through on the top, at street level, and has an undulating ceiling, one whose shapes recall church architecture, when seen from underneath. The tubes are lit dramatically from below: one beam for each victim.”

The Art Of Cinematic Theatre

Film has more and more of an impact on theatre. “But film is not just part of the visual texture of theatre. It has also had a huge influence on the structure of modern drama. Brecht, in defining epic theatre, uses the cinematic term ‘montage.’ And modern writers are far more likely to be influenced by the filmic juxtaposition of images and ideas than the old Aristotelian principles of unity.”

Let’s Have More Art Without Explanation

Why do museums/orchestras/theatres feel like they have to try so hard to explain their art, asks Rupert Christiansen. “In an era when television, radio and recorded music function as a constant hum in the hinterland of our daily activities, we have become increasingly unable to concentrate on only one of our senses. This restlessness takes several forms. Popular culture relies on masturbatory stimulation of a combination of eye and ear: action movies are accompanied by deafening soundtracks, the rock song has been transcended by the rock video – and the more weirdly extreme the imagery, the more headbangingly hard the beat, the better. Higher culture, on the other hand, is always anxiously explaining itself, with the help of another medium.”

The Best Writing About Music? It’s Online

Writing about music in the mainstream press is in a bad way. So, Rob Young writes, the best music writers are now to be found webside – in blogs. “What they add up to is a fertile breeding ground for a new style of music writing – just when the trade needs it most. The ludic quality of music criticism merges with a serious approach to the subject rarely found in a mainstream that treats music as entertainment rather than art. Add encyclopaedic knowledge, genre-crossing frames of reference and a disregard for celebrity, and you have the key traits of the music blog.”

Hall Of Fame

Jim Hall, writes Terry Teachout, is our greatest living jazz guitarist. But he’s not exactly a household name. “To be sure, Mr. Hall, who turns 73 next month, is nobody’s idea of a natural celebrity. Bald, bespectacled and soft-spoken to a fault, he looks less hip than shyly professorial. His intensely intimate music gets under your skin rather than grabbing you by the lapels. Given sufficient time, though, such artists have a way of evening the odds. Today, the National Endowment for the Arts names Mr. Hall an NEA Jazz Master, an honor accompanied by a check for $25,000.”