Angry French Artists Kidnap TV

French artists, aggrieved over a strike last summer, are increasingly making public protests. “They’ve driven a popular reality show from the air for two hours, taken a news show hostage for a minute of free advertising, and on Wednesday stormed a televised Parliamentary session. The new tactic is Act II of an uprising that started this summer when part-time show business workers shut down music and theater festivals across France.”

Cultural Divide – Movie Critics Go To Battle Over Screeners

The Motion Picture Academy’s decision not to send DVD copies of movies to critics juding awards has provoked movie critics like no other issue in recent years. “Movie critics are flooding colleagues’ computers with e-mails carrying subject lines like “United we stand” and “On strikes and self-immolation,” not to mention “Shame!” Some critics’ associations have canceled their year-end awards in protest. I know these people, and I assure you they’re nice, civilized folks. But we critics can sting when we feel wronged, and passions are running high.”

Philanthropy – A Crisis In Confidence?

Some high-profile disputes about how recipients of philanthropy have spent money given to them have been in the news recently. “Not surprisingly, such public disagreements are starting to erode confidence in the nonprofit sector. A recent survey commissioned by Charles Schwab & Company, showed just 10 percent of affluent Americans age 45 and older are now planning to leave all or part of their estates to charities, universities, and other nonprofits. More than five times that number – 56 percent – said they plan to leave nothing to such organizations. Of those, 21 percent said they don’t think the money would be well spent if given to charity.”

Classical Music As Racist Institution

Charlotte Higgins is unequivocal: Classical music is institutionally racist. The extent to which it is dominated by white faces – audiences, performers, administrators and critics alike – is overwhelming. Black taxpayers may be paying their share of the bill for an important tranche of Britain’s cultural life, but few are either participating in it or enjoying it. British theatre may be witnessing a flowering of extraordinary black acting and writing talent, but classical music remains determinedly white.
This lack of participation, however, does not reflect lack of appetite.”

Bye-Bye CD’s?

“The future of the album – both in its physical form and as a grouping of related songs – is being pondered by everyone from bands who refuse to provide their music to online services to technology analysts, who predict that the CD will become passé within the next five years. It’s a pressing concern, given the decline of record sales since 2000 and the popularity of downloading singles by a public tired of paying $15 for an album with one hit and lots of padding.”