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Tag: 11.03.99

MICRO-CINEMA

Movement or philosophy? Budget or an aesthetic? Digital or analog? Very small room or an expanded state of mind? The micro-cinema movement has grown into a national trend.  Baltimore Sun

Author Douglas McLennanPosted on November 3, 1999Categories mediaTags 11.03.99

MOVIES FOR THOSE WHO CAN’T SEE/HEAR

New technology in theaters allows closed captioning in your seat, descriptions in your ear.  Milwaukee Journal-Sentinel

Author Douglas McLennanPosted on November 3, 1999Categories mediaTags 11.03.99

BETWEEN SELF-REFERENCE AND IRRELEVANCE

The cultural world is mired in itself – how to escape? Feed

Author Douglas McLennanPosted on November 3, 1999Categories issuesTags 11.03.99

READER RESPONDS, taking on Kenneth Baker –

– and “pretentious” art reviews in the newspaper. “Just because we disagree, doesn’t mean we’re Velvet Elvis lovers.”  San Francisco Chronicle

Author Douglas McLennanPosted on November 3, 1999Categories visualTags 11.03.99

DEFENDING THE BROOKLYN

Judge’s ruling in favor of museum Monday wasn’t a surprise, but museums gave a sigh of relief anyway. Museum went too far with private collectors, but that’s just the way things are.  New York Times
     AND: New York mayor attacks judge on ruling NYT 11/3/99

Author Douglas McLennanPosted on November 3, 1999Categories visualTags 11.03.99

THE TROUBLE AT TALK

Turmoil at new magazine has staffers coming and going. Insiders dish the dirt. – Village Voice

Author Douglas McLennanPosted on November 3, 1999Categories wordsTags 11.03.99

WHY IS IT THE SERIOUS NOVELS THAT ALWAYS WIN?

Dissecting the thinking behind this year’s Booker Prize for literature. – London Telegraph

Author Douglas McLennanPosted on November 3, 1999Categories wordsTags 11.03.99

RECORD PRICE FOR A VIOLIN

Reports that Yehudi Menuhin’s Guarneri sold at a Zurich auction this week for $3 million. – CBC

Author Douglas McLennanPosted on November 3, 1999Categories musicTags 11.03.99

A “COCKTAIL LOUNGE PARODY OF HERSELF”

After a limp Halloween performance, critic wonders if Diamanda Galas – “among the most searingly direct and original artists of our day” – has lost it. – San Francisco Chronicle

Author Douglas McLennanPosted on November 3, 1999Categories musicTags 11.03.99

POINT OF NO RETURN

Opera houses were the last bastion of unamplified sound. No longer. In recent years more theaters have turned to amplification – subtly yes, but some critics hear a difference. – New York Times

Author Douglas McLennanPosted on November 3, 1999Categories musicTags 11.03.99

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This is the archive site for ArtsJournal.com, founded September 13, 1999. Read more about these archives. Read more about ArtsJournal.com  You can also browse the archives chronologically by month (below) or starting here.

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