Overworked, Underpaid Young Architects In UK Start Drive To Unionise

“Unpaid overtime, precarious contracts, working hours so antisocial your only friends are people who do the same job … after a minimum of seven years’ education and professional training, the reality of working as an architect can be a bleak prospect. It’s not hard to see why so many of them wear black, as if in permanent mourning for the lives they once had.” – The Guardian

John Witherspoon, One Of Hollywood’s Most Beloved Black Actors, Dead At 77

“[He spent] a long career of playing crotchety yet lovable men whose working-class roots mirrored his own. The actor, who worked until the day before his death, had a remarkable fluency with the hardships his characters faced and the humor they derived from those situations. … [His] ability to convey paternal irritation with comedic flair became a hallmark of nearly all his performances.” – The Atlantic

Who Gave You The Right To Tell That Story? Ten Authors On Writing Fiction About Identities Other Than Their Own

“The conversation is often depicted in the media as a binary: On one side are those who argue that only writers from marginalized backgrounds should tell stories about people who share their cultural histories — a course correction for an industry that is overwhelmingly white — while on the other are those who say this wish amounts to censorship. For those following closely, it can feel as though the debate has gotten stuck in a rut.” Here, a group of writers including Jennifer Weiner, N. K. Jemisin, Victor LaValle, Laila Lalami, Monique Truong, and Sarah Schulman discuss why they write outside their identities. – New York Magazine

After 25 Years Of Vagabondage, Smuin Ballet Finally Has A Home Of Its Own

Ever since Michael Smuin founded Smuin Contemporary Ballet in San Francisco in 1994, the company has had to scrounge rented studio space as it could, sometimes even ending rehearsals so that children’s classes could use the space. Now, at last, they own their own building — in a former ballroom that was spotted by a former company dancer who became a real estate agent. – The San Francisco Chronicle

Russia’s Richest Oligarch Sets Opening Date For His New Moscow Arts Center

GES-2, a center for contemporary art(s) designed by Renzo Piano and constructed inside a disused 1907 power station, will open next September. Leonid Mikhelson, the billionaire funding the project, insists that GES-2 “is not a museum”; it will have a 420-seat concert hall/theatre and an on-site workshop as well as exhibition spaces, outdoor event space, and a birch grove. (What Mikhelson won’t say is how much it all costs.) – The Art Newspaper