The Man Who Would Be Beckett

Bill Irwin finds Beckett’s remarkable use of language something of a balm at a time when the use of words has grown so imprecise. “Our culture runs away from words,” he bemoaned. “It seems to me one of the things this language can do is help us reconnect with human intelligence, as distinct from artificial intelligence. A lot of Beckett’s language is a portrait of consciousness — of how the mind works.” – Los Angeles Times

Orchestras Struggling? These Regional Groups Are Doing Just Fine, Says Anne Midgette

“Are orchestras dying? These smaller groups are alive and well … The … orchestras presented below offer perhaps five programs a year, with freelance professional players, on a fraction of that budget. Yet their programming tends to be strikingly diverse in comparison with some of their larger brethren, and they all maintain strong education and outreach programs in local schools.” – The Washington Post

At 94, Director Peter Brook Still Keeps A Schedule That’s ‘Terrifying’

His career goes all the way back to 1946 at Stratford, through a 1970 Midsummer Night’s Dream and a nine-hour Mahabharata from the ’80s that arguably changed theatre history, to a new book this fall and a new stage piece, titled Why?, that he’s taking to three continents. Ben Brantley talks with the stage legend about his extraordinary career. – The New York Times

Silent Discos Are A Scourge!

“Much like the bubonic plague of 1347, silent disco is a blood-curdling infection that spreads across the city, carried on the back of headphone-wearing fleas! Fleas! Its biggest problem is the performed transgression of the whole experience, for which you pay a princely sum of £15. I’m not mad at the individuals taking part, for they know not what they do. I’m incensed that we live in a society where stumbling through the streets of Edinburgh half-yowling the words to YMCA (because nobody knows all the words) is someone’s idea of a good time and a rebellion. Whatever happened to imagination?” – The Guardian