The Shadowy Mr. Tudor

“Unlike his contemporaries, the more showy and abstract Balanchine or the decorative Sir Frederick Ashton – whose centenary is also being marked globally this year – Anthony Tudor has been the subject of few revivals and even less academic study. He is a shadowy figure, forever dancing in the dark.”

West End Theatre Gets Political

“Thoughtful social comedies and gentle farces are being upstaged by a blast of radical writing. Not since the socialist agit-prop shows staged in Russia early last century, or the satirical cabaret in Berlin during the Thirties, have audiences been challenged by so many overtly ideological plays. The renewed demand is all the more remarkable since at least six West End plays with more conventional appeal have closed this summer.”

New Indian Museum Attempts To Get History Right

The Smithsonia’s 16th museum – the National Museum of the American Indian – is opening in September. “The biggest difference between the new Smithsonian museum and others housing native artifacts is that Indians were consulted every step of the way. Even the most progressive museums have committed egregious errors in American Indian interpretation.”

Rock The Vote (With Music)

Pop music (and musicians) are getting more politically active this year than they have in years. “Less than 34 percent of Americans between the ages of 18 and 24 bothered to vote in the last presidential election, but if activity in the world of music is any indication, those numbers could increase dramatically this year.”

Shakespeare & Company Regroups

The 27-year-old Massachusetts theatre Shakespeare & Company is trying to regroup. “In the wake of the shake-up, the company is undergoing major changes. The budget was reduced from $4.5 million to $4 million, the season shortened, and the staff trimmed. Shakespeare & Company is selling off a chunk of the 63-acre property, purchased just four years ago, that has largely caused the financial troubles.”

NY Phil Looks To A New Tour Model

The New York Philharmonic has canceled some recent tours. Philharmonic officials are determined to “fix” the tour business model so it works. “Like so much else in the orchestral world, tour financing began to sour in mid-2002, with the recession and fears of terrorism. That was about the same time that several midlevel North American orchestras began to threaten bankruptcy.”