Do We Need A National Black Arts Festival?

“It seems ludicrous to bring up Monet’s race, doesn’t it? Because it doesn’t really matter what his skin color was back in 1908, when, in 2009, we’re standing in front of a 42-foot canvas admiring those lilac and green brushstrokes.” So, asks Kristi York Wooten, “in the age of Obama, … do we need a National Black Arts Festival? Yes or no? If you’re wondering, my answer is ‘Yes’ (make that, ‘Hell, yes!’).”

Sotheby’s Breaks With Partner That Paid Clients Late

“One of Canadian art’s major auction partnerships has been scrapped after Toronto-based Ritchies admitted it missed a payment deadline for a number of clients who had consigned paintings for a multimillion-dollar joint Sotheby’s-Ritchies sale in May.” The president of Sotheby’s Canada called the payment failure a “cardinal sin” and said “that Sotheby’s moved quickly to end its seven-year association with Ritchies.”

Picketers Target First Wives Club Backers At Old Globe

“When the musical version of ‘The First Wives Club’ opens July 31 at San Diego’s Old Globe Theatre, audiences can expect some juicy drama — outside the theater doors, that is.” Two New York producers who plan to take the show to Broadway “have allegedly stiffed their former employees out of money, and — like the heroines of the musical — the wronged parties are seeking sweet revenge.”

Umm, About Staging Siegfried During The High Holidays …

“Now that the Los Angeles County Board of Supervisors has defused Mike Antonovich’s potentially embarrassing attempt to change the focus of Los Angeles Opera’s Ring Festival from Wagner…, I hope it is safe to point out that the company’s troubles may not be completely over. Unfortunately, its next installment in the cycle, ‘Siegfried,’ opens on Sept. 26, in the midst of the Jewish High Holidays” — and it’s the “most problematic of the cycle” in terms of stereotyping.

Attendance At NY City Ballet In Saratoga: It’s Down, It’s Up

“The Saratoga Performing Arts Center announced today that it pulled in 24 percent more people on a per-performance basis for this summer’s residency of the New York City Ballet, which concluded Saturday night. Total attendance dropped by 18 percent, from about 42,000 people in 2008 to 35,000 this year, but because City Ballet’s stay was shortened to two weeks instead of three, the per-performance audience average climbed.”