NYer “Talk” Rejects Find A Home

It’s really difficult to get a piece published in the New Yorker’s “Talk of the Town.” “The section receives upwards of 100 pitches and submissions weekly, while only greenlighting about 10 unsolicited contributions per year.” So one frustrated contributor-wannabe decided to build a website to publish rejected “Talk” pieces, in something he calls a tribute to the real thing…

$20 Admission? How ‘Bout $49.99?

The Metropolitan Museum of Art’s decision to raise its admission price from $15 to $20 has Christopher Knight thinking: Why such a puny increase when the Met could really stick it to its customers? “It’s 2006! America has been through Reagan, Bush, Clinton and another Bush. Whether it’s health insurance, schools, campaign funding or any of the arts, liberal concepts of public responsibility have been out of fashion for a quarter-century. Didn’t the Met get the memo? Americans want things fully privatized.”

Hong Kong Deploys Kids To Fight Copyright Crime

“Movie and song copiers beware: use an Internet discussion site in Hong Kong to violate copyrights and you may be turned in to law enforcement authorities by an 11-year-old Boy Scout. Starting this summer the Hong Kong government plans to have 200,000 youths search Internet discussion sites for illegal copies of copyrighted songs and movies, and report them to the authorities.”

Mickey Spillane, 88

Detective novelist Mickey Spillane, creator of Mike Hammer, has died. “Scorned by many critics for his artless plots, his reliance on unlikely coincidence and a simplistic understanding of the law, Mr. Spillane nevertheless achieved instant success with his first novel…. Mr. Spillane referred to his own material as ‘the chewing gum of American literature’ and laughed at the critics. ‘I’m not writing for the critics,’ he said. ‘I’m writing for the public.'”

You’ve Been Warned (But Why?)

In British theatre now, there are warnings for everything. “As yet, theatre warnings haven’t become sufficiently detailed to confuse the actual with the represented. Apart from quantifiable matters such as nudity, theatres tend to use euphemistic phrases like ‘adult content’ or ‘scenes of an explicit nature’. But behind all warnings – whether about content or sensation – lie presumptions that go beyond health and safety into more contestable areas of consumer protection.”

When Critics And Audiences Collide

Why are the judgments of movie critics so often at odds with those of the movie-going public? “Are we out of touch with the audience? Why do we go sniffing after art where everyone else is looking for fun, and spoiling everybody’s fun when it doesn’t live up to our notion or art? What gives us the right to yell ‘bomb’ outside a crowded theater?”

Robots Begin To Take Their Places

Science fiction writers have been writing about robots forever. Now, “a half-century after the term was coined, both scientists and engineers say they are making rapid progress in simulating the human brain, and their work is finding its way into a new wave of real-world products. The advances can also be seen in the emergence of bold new projects intended to create more ambitious machines that can improve safety and security, entertain and inform, or just handle everyday tasks.”