Paris Okays Its First Skyscraper In 40 Years – A Giant Pyramid

“A common sight in most major capitals, skyscrapers have faced deep opposition in Paris ever since the 300-metre high Eiffel Tower was built for the 1889 Universal Exposition. Paris’s socialist mayor, Anne Hidalgo, diluted opposition to the new Tour Triangle last November after some of its planned office space was sacrificed for childcare and cultural centres.”

The Smithsonian’s Air And Space Museum Is Falling Apart (Here’s Why)

“The Air and Space Museum, designed by Hellmuth Obata and Kassabaum Architects (HOK), is marked by its four marble-clad pavilions, separated by three recessed steel-and-glass atria. Construction started in 1972 and continued until the museum opened on July 1, 1976. It has undergone basic repairs since, but the systems and materials are running on borrowed time in part because certain building components were “downgraded” as part of the original construction to reduce cost and hit the stunningly low $40 million budget.”

So This Is The End Of iTunes

“Apple still makes billions per year on iTunes downloads. But Spotify, Pandora, and other startups have eroded that business, first with their free streaming services and more recently with a paid subscription model. It’s been clear for a while now that streaming is the music industry’s future: iTunes Store sales dropped an alarming 14 percent in 2014 while revenue in the streaming sector jumped 28 percent. So Apple had a choice: Hold fast to a fading business model, or hasten the transition by getting out in front of it. It made the only sensible call.”

The Tchaikovsky Piano Concerto We All Know And Love? Turns Out It’s Not The Version The Composer Intended

“You can hear the differences immediately. Those massive chords we’re all so used to at the start of the piano part? They’re supposed to be arpeggiated as lyrical, harp-like consecrations of the harmony, not bashed out like military hammer-blows, and they were marked to be played at a lower dynamic than they are in the Siloti version, and they’re also an octave lower.”

A Havana Biennial Of Change And What Art Can Still Do

“There is much we can learn from the 12th Havana Biennial — a performed, dematerialized show — about what art can be, where it can exist and who it is for. From Tania Bruguera’s performance, we are learning what art can do — risky, truth-revealing things — for artist and audience alike. It may well be that her performance, end not in sight, is the one for which this biennial will be remembered.”