YOU DESERVE A BREAK TODAY

Australian artists have been fighting to make sure their ability to make vital tax deductions isn’t taken away by the government. Now, thanks to the Australian Senate, painters/actors/waiters/taxi drivers/ earning less than $40,000 (Australian) will be able to claim deductions for off-course income. – The Age (Melbourne)

MODEL CITIES

The Venice Biennale’s architecture show is the most expensive and extensive ever mounted. The exhibts have brought out “thrilling use of film and photography, accompanied by an astonishing number of superb models. Never before has it been possible to represent cities so vividly, sometimes on a scale approaching life-size, as in the fantastic 1,000ft-long screen in the old Ropery of the Arsenale, where full-size trains flash down the vista.” – The Times (UK)

BEWARE FAKE ART

An indigenous arts organization in Australia has warned Australia could be flooded with fake Aboriginal artwork in the lead-up to the Olympics. “People have been importing from Indonesia and other places thousands of didgeridoos already made up and then getting other people, backpackers, to paint them up here.” – The Age (Melbourne)

TALES FROM THE ART CRYPT

Richard Feigen is one of the foremost dealers in Old Master paintings – and a famously difficult personality. His new book illuminates some of the more shadowy corners of the art world. “There is, for example, a scathing account of the shenanigans several years ago at the Barnes Foundation, the fabled museum outside Philadelphia, when trustees attempted to sell off holdings in violation of its founder’s will – an attempt Feigen all but single-handedly scotched. Or there’s his comparing the exhibitions policy at New York’s Metropolitan Museum, with its ‘random mixture of box-office frivolity with serious art,’ to ‘a nice girl of good family who just once in a while goes out and turns tricks for some pocket change.'” – Boston Globe

THE STATE OF A LEGEND

The Bolshoi Ballet has been selling out and winning raves on its current tour, reinforcing its stories place in the ballet world. “Every large performing arts center in the nation will no doubt shortly be calling Moscow to ask about 2002, and there’s plenty of new repertory to choose from. However, the six Pavilion performances raised major questions about the current artistic level of the Bolshoi and, in particular, the quality of its coaching.” – Los Angeles Times