Hip-Hop Makes It To Sadler’s Wells

“Hip-hop is widely misrepresented as a recent indulgence of loud-mouthed, flashily jewelled, gun-toting black gangsters, whose attitude to women, work and the law leave something to be desired. This is a great shame, because hip-hop is far more properly read as an life-affirming manifestation of the inborn human desire to make entertainment even in abject misery.”

An ABT Heritage

American Ballet Theatre’s new season gives a fair representation of the company’s heritage, writes Tobi Tobias. “Represented first and foremost was the idea of ABT as a custodian of what can loosely be called “the heritage”—classics from the nineteenth century and latter-day works explicitly declaring their adherence to that tradition.”

Eisner’s Michael Moore Mistake

Michael Eisner’s decision that Disney wouldn’t allow distribution of Michael Moore’s new movie was a blunder. “Eisner’s ill-conceived decision has managed to accomplish a rare feat in today’s poisonously partisan times: He has aggravated the left and the right simultaneously. Liberals are crying censorship while conservatives want to box Eisner’s mouse ears for giving Moore — an obnoxious publicity hound and longtime thorn in the right’s side — a tidal wave of sympathy and free ink.”

Death Of The Small Record Store

“Across the nation, record stores are being hit with a perfect storm of challenges. Aggressive competition from Best Buy and other big box retailers, Internet piracy, online music shopping and slumping CD sales have pushed many smaller stores out of business or to the brink of bankruptcy. The survivors are having to rework decades-old business models. And it’s not just store owners who are singing a sad tune.”

A Downloading Plan That Pays Musicians

Harvard professor Terry Fisher has unveiled a plan that would pay artists for their music and allow (even encourage) rampant downloading. “Fisher advocates an alternative compensation system that would pay artists based on the popularity of their music. Artists would first have to register their work with the copyright office, which would track how many times that work was downloaded. Revenue generated from taxes on things like Internet access and the sale of MP3 players would then be used to pay the artists.”