ET TU, KRZYSZTOF?

Polish composer Krzysztof Penderecki was one of the more adventurous and radical composers of the 20th Century. Now he’s written a piece that sounds like it could be Mahler or Brahms. “It is, though, a curious state of affairs when the composer who, more than any other, was identified with that scandalous way of writing should become the one who most saliently repudiates it.” – Sunday Times (UK)

REFORMING AN ANCIENT STORY

Every ten years since 1634 the villagers of Oberammergau, in the foothills of the Bavarian Alps, have been staging their six-hour passion play about the death and resurrection of Jesus. “It is a Roman Catholic play about Jews, performed in German before a largely Protestant audience, most of whom will be American or British. The newly refurbished Passion playhouse holds 4,700 people, and 112 performances have been scheduled.” This year the winds of reform have altered how the play will be presented. – New York Times

THEATRE AS TEST

Michael Frayn’s play “Copenhagen” imagines a philosophical conversation about the implications of quantum physics. The play’s been getting raves, but does anyone understand it/ The New York Times tested audience members on the way out of a performance. – New York Times