Judd Apatow’s Movies Are Not Sexist

“It’s hard not to view Bridesmaids … as his mea culpa to the women of America. Presumably, he’d like to put to rest charges that the women in his films are underdeveloped vehicles for male transformation. … [But] Apatow has no need to atone. While his film canon is undeniably dude-centric, the lady characters he’s brought to the screen are more complex and fully realized than his detractors claim.”

Amateur And Professional Theatre In Britain Edge Closer Together

“A ‘professional’ could be defined as someone who has trained in a particular skill and then earns a living through using this skill. Yet, of course, simply because of the way the industry works, by this definition many people who work in theatre wouldn’t count. … So what, really, are the differences between the situation of the performers I’ve just described and amateurs?”

Are The Arts Losing Their Soul To Anonymity?

“Great art is made from a great paradox: it is grounded in the local, the specific, the ephemeral, yet it achieves the metaphysical and cheats time and place. The floating world of international co-productions and festival art doesn’t allow for that local starting place: work is being made in the first place (sometimes literally, often metaphorically) in the business lounge. And the audience who come increasingly expect that floating, international world of luxury.”