In Bausch’s ‘Kontakthof,’ Astute Age Trumps Callow Youth

Judith Mackrell: “In classical ballet, casting can be everything. In modern dance, performances are no less individual, but we rarely get to compare different interpretations of a single role. … So last weekend, I was fascinated to see what would happen with Pina Bausch’s Kontakthof, performed by a senior cast (men and women aged over 65), and then, on the following night, by a junior cast (aged under 19).”

Creating An Orchestra For The United Arab Emirates

In 2005, Philipp Maier, a pianist and conductor, quit his day job as a Dubai-based pilot for Lufthansa when he decided that a nation as wealthy and advanced as the UAE should develop its own musical culture by having a professional (Western) symphony orchestra. By December 2006, he had assembled the 70-member UAE Philharmonic. Now he’s trying to find the $10 million in annual funding he needs to pay his players full-time.

How King Tut Was Like Imelda Marcos

“When Howard Carter discovered King Tutankhamun’s treasure-packed tomb in 1922 in the Valley of the Kings, he found a large collection of footwear of different sizes and shapes.” There were simple sewn sandals of palm leaf and papyrus, shoes with elaborate veneer soles depicting foreign captives, and gold-and-beadwork orthopedics to accommodate the Pharaoh’s club foot.