Geffen Playhouse Ads Rejected As Too Racy (Really?)

“If you haven’t heard much about it, there could be a reason. The Westwood theater’s ads have been refused, kicked over into the online ghetto of adults-only advertising, or forced to be toned-down and run without the name of the play. Google banner ads featuring the naked blow up dolls seen here were rejected, as were ads without the faux nudity and showing just the dolls’ faces.”

It’s All About The Information (The World, That Is)

“When people say that the Internet is going to make us all geniuses, that was said about the telegraph. On the other hand, when they say the Internet is going to make us stupid, that also was said about the telegraph. I think we are always right to worry about damaging consequences of new technologies even as we are empowered by them. History suggests we should not panic nor be too sanguine about cool new gizmos.”

A RoboCop Statue To Represent Detroit? Looks Like It’s Happening

“So far, more than $60,000 has been raised from metro Detroit and many other countries through the Kickstarter page set up by Imagination Station, a nonprofit that’s building a creative campus in Corktown. The fund-raising was set to officially end on Saturday. Detroit artist Jerry Paffendorf, who’s involved in the statue drive, said he hopes a 10-foot-tall replica of RoboCop will be completed this summer.”

Black Swan Director Defends Natalie Portman

“I had my editor count shots. There are 139 dance shots in the film. 111 are Natalie Portman untouched. 28 are her dance double Sarah Lane. If you do the math that’s 80% Natalie Portman. What about duration? The shots that feature the double are wide shots and rarely play for longer than one second. There are two complicated longer dance sequences that we used face replacement. Even so, if we were judging by time over 90% would be Natalie Portman.”