London’s Tate museum has been given a surprise £12.5 million gift in order for it to purchase a valuable British painting at risk of leaving the country. Sir Joshua Reynolds “Portrait of Omai” was sold at auction for £10.3 million last year, and a concerted effort was launched by the government to insure that the portrait stayed in the UK. An injunction was put in place barring the work’s export temporarily, while a UK buyer was sought. The Tate had previously tried to purchase the work in 2001, but its offer was turned down.
Tag: 03.26.03
West End Theatre – It Really Was The Good Old Days
Michael Billington wonders if West End theatre is at its lowest ebb ever. So he does a little research on what was offered decades ago compared to today. “After comparing what is on offer today with the same week over the past four decades, I have come to the melancholy conclusion that the West End is dwindling into neon-lit irrelevance. What seems to have gone out of the window is the idea that the commercial sector should offer a kaleidoscope of possibilities: musicals, comedies, farces, thrillers, straight plays and classic revivals. The irony is that it is probably better run than at any time in recent memory.”
A New Opera Masterpiece?
John Rockwell heads off to New York City Opera for Mark Adamo’s “Little Women” with low expectations and comes away believing he’s heard “some sort of masterpiece.” Almost everything in the production work, from the libretto to the music and cast. “The two styles blend effectively, the modernism not rigorously alienating and the lyricism genuine and heartfelt. Nearly all the big moments in the opera work.”