Dancing The ‘War On Terror’

“Americans would rather not consider the suffering of people water-boarded, beaten and deprived of sleep as part of our government’s so-called war on terror. Choreographer Jane Comfort tackles what she calls this ‘collective unwillingness to look’ in An American Rendition, a grimly mocking work of contemporary dance-theater.”

The Arts As Issue In Britain’s Election Campaign

“In an upcoming election in which every vote will count, the arts vote potentially takes on even greater significance. Given the way they’ve been courting the arts since the start of the year, it’s clear that all three parties are aware of this.” Which is why so many luminaries showed up for the release of a new manifesto called “Cultural Capital.”

At Least They’re Recording: Alsop and Baltimore To Release Prokofiev Cycle

“One of the bonuses in having Marin Alsop as music director is that she brought a strong connection to the Naxos label with her, and the company was happy to add the BSO to its product line.” Alsop and the BSO are already in the midst of recording a Dvořák symphony cycle; next season they begin a similar project with Prokofiev’s symphonies.

Blanche Thebom, 91 (Or 94), Star Mezzo Of ’40s And ’50s

“During her career, Thebom was prized equally for the rich maturity of her voice, her face and figure (which also received their due in a number of films, including The Great Caruso), her profound acting ability and innate musical intelligence, and even her long tresses (at one time, her hair descended over 6 feet, far longer than her reach).”

MPAA Asks Feds To Quash Box-Office Futures Trading

“The Commodity Futures Trading Commission has been reviewing applications from two companies that, if approved, would open markets to trade movie contracts. Buyers and sellers on the markets would place money on whether a movie will sail or sink at the box office.” The MPAA says such trading could be viewed as “legalized gambling on movie receipts.”

Opera In The Supermarket Aisles

“As about a dozen onlookers assembled, tenor Jesus Hernandez hefted a ripe avocado in his palm and stared wistfully at soprano Jennifer Waters as she bent over the oranges. Suddenly, Hernandez … burst forth into the familiar strains of ‘Libiamo,’ the celebrated homage to drinking and love in Giuseppi Verdi’s ‘La Traviata.'”