Our Story Is Not Ended: Chay Yew On His Last, Closed Play And The Future Of Theatre

Yew, who was ending his run as artistic director of Victory Gardens in Chicago: “We will emerge with new stories to tell. We will revisit old tales that give our lives new meaning and sustenance. We will find innovative ways to see and think. We will found new spaces for our stories; they may again be in shuttered storefronts, church basements, or around the fire, as when we first told stories. New homes will be built by a new generation of American artists, and they will be more equitable and inclusive than our current ones.” – American Theatre

What Theatre Can Do For Humanity In The Midst Of This Unprecedented Crisis

First of all, theatre can acknowledge the uncertainty, anxiety, grief, and pain of this time – and the resilience that so many people are bringing right now. “Some theatres … have recorded performances, and many others are doing or considering live streaming. That is a good start. After this crisis passes, we will also need to equip education and community engagement departments with the funds and technology tools needed to make our work more accessible to our communities—the future of our field and our future audiences depend on it. I remain hopeful we can do it. Theatre people are nothing if not resourceful and adaptable.” – American Theatre

The Film Industry, Devastated In An Hour

One film art director: “Over one hour, everything was cancelled. That’s £28,000 gone in an instant. My head started spinning. I realised the knock-on effect this would have in the industry and felt sick. It will be months before it’s gaining traction again, and once it does, it will be a feeding frenzy for us freelancers. I’ve never felt this hopeless and bleak in my life.” – The Guardian (UK)

Suzy Delair, Who Starred In Movies And Music Halls, Has Died At 102

Delair starred in Laurel and Hardy’s last movie, but she was best known for starring in 1940s thrillers directed by Henri-Georges Clouzot, some of which were made during the Nazi occupation of Paris. She had begun singing in cafés when she was 14, which is how she met the director and, eventually, became a movie star – but she never stopped singing. – The New York Times