Boredom, ‘The Besetting Sin’ Of The Arts

“Consider that what all of these – performance, writing, teaching, etc. – have in common is the structure of detachment. Pupils sit and listen to a teacher. Audiences pay to watch and scrutinize, but they must keep quiet and sit in the dark. Visitors to the gallery can look, and think, but not touch. These events are structured by detachment. That’s where they begin. And so, from the very start, they are always on the verge of boredom.”

There Is No Such Thing As The ‘Literary Establishment’

Author Geoff Dyer: “It’s one of those expressions and concepts whose rhetorical potency and convenience derive, imprecisely, from the fact that no one stops to think whether it means anything at all – any more than a squash player pauses to consider why there’s a wall at the back of the court. … [And] like a squash court wall again, [it] exists in order to have stuff hurled against it.”