Ode To The Bass

Odd to say, given its enormous size, but the bass is a largely invisible instrument in the modern orchestra. “I think the size of it gives people the mistaken impression that you have to be a brute to play it. But it’s a misconception, especially these days, with the advancements of the technical abilities of players and a more thorough understanding of body usage.”

List: Publishing’s New-Generation Power Brokers

Who are the most powerful people in UK publishing? The Observer has made a list. “The list we have come up with, then, is a snapshot of an industry in flux, and it inevitably reflects the whims of our panel. To single out 50 players from a great cultural industry is almost impossible. Many of the people whose word counts for most pride themselves on their invisibility. Still, we think we have made good choices about a new generation of players.”

The New ErotiFiction

“Ten years ago the bestseller lists were topped by the frustrated Bridget Jones, a fictional creation less interested in sex than in the cigarette she could smoke afterwards. A decade on and chick lit now seems curiously chaste, as lascivious as a warm mug of Horlicks. But a new kind of explicit bedside reading, both fictional and autobiographical, means the three-for-two counter in Waterstone’s now displays the kind of X-rated material more traditionally found in a cornershop in Soho.”

Peter Gelb New Old Met

So Peter Gelb is reinventing the Metropolitan Opera. “Radical as Mr. Gelb’s initiatives might seem to Met-goers who prefer tradition to innovation and opera-as-vocal-display to opera-as-musical-drama, Mr. Gelb’s bold new vision is in fact a version of a bolder old one, as he acknowledges. Mr. Gelb made reference, in the news conference announcing his plans and in a separate interview, to Rudolf Bing, the Met’s legendary general manager from 1950 to 1972. His ambition to focus resources on creating wholly viable theatrical productions echoes one of Sir Rudolf’s top priorities when he took over as general manager at the old Met.”

Collectivity And The Dynamics Of Art

Artist collectives change the dynamics of making art. “One way or another, joint production among parties of equal standing — we’re not talking about master artist and studio assistants here — scrambles existing aesthetic formulas. It may undermine the cult of the artist as media star, dislodge the supremacy of the precious object and unsettle the economic structures that make the art world a mirror image of the inequities of American culture at large. In short, it confuses how we think about art and assign value to it. This can only be good.”

Ailing Levine Pulls Out Of Important Tour After Fall

James Levine has withdrawn from a national tour of the Boston Symphony after taking a fall last week. “The tour, with stops in New York City, Chicago, Philadelphia, Newark, and Washington, D.C., is the orchestra’s first major American tour in several years and is designed to show other important musical centers the excitement Levine has generated with the orchestra.”