Learning Salesmanship In Denver

Even before he submitted his design for Ground Zero, Daniel Libeskind was uniquely prepared for the necessity of selling oneself and one’s art to American politicians and finicky citizens. It was less than three years ago that Libeskind beat out four other architects to become the winning designer of a $62.5 million addition to the Denver Art Museum. And while the media scrutiny and public interest in Denver was a fraction of that with which Libeskind would contend in New York, the architect’s skill at presenting his work as a public boon was evident in the Denver competition.

This Is What Passes For Good News In Massachusetts

That gale-force wind that just rushed up from the Northeast was the Massachusetts Cultural Council letting out its collective breath. The MCC, which saw its budget slashed 62% last year by acting governor Jane Swift, will apparently face no further cuts this fiscal year. Governor Mitt Romney’s new budget restores none of last year’s cuts to the MCC, but neither does it trim the council further. “The fact that Romney’s education adviser Peter Nessen also chairs the MCC board likely bodes well for the organization.” The MCC’s annual budget now stands at a proposed $7.3 million.

Fred Rogers, 74

“For all its reassuring familiarity, Mister Rogers’ Neighborhood was a revolutionary idea at the outset and it remained a thing apart through all its decades on television. Others would also entertain the young or give them a leg up on their studies. But it was Fred Rogers, the composer, Protestant minister and student of behavior who ventured to deal head-on with the emotional life of children.” Fred Rogers died yesterday at his Pittsburgh home, at the age of 74.

Hollywood’s African Exploits

A successful African film director is taking Hollywood to task for the way it portrays his continent in the movies. Mahamat Saleh Haroun says he is tired of Hollywood studios coming to Africa simply to shoot nature scenes, lions, and actors “just dancing and laughing with big teeth.” Haround also singles out Star Wars director George Lucas for his use of some Saharan locales, and for misleading local film enthusiasts into thinking that they might have Hollywood careers if they did drudge work on the Star Wars films.

Violently Yours – Movies Up The Gore Quotient

“Horror films have been spooking audiences since Bela Lugosi made his big-screen debut in 1917, but critics say the current roster of films takes gore to a whole new level. They point to a range of possible causes – from ever more realistic special effects to a ratings system that is more lenient on violence than sex. Also, increasingly graphic violence on network TV may be causing filmmakers to up the shock quotient in an effort to get people to buy tickets for what they can see for free at home.”

Why Digital Downloading Is Bad For Music

“The truth is that digital distribution is bad for artists for the same reason that it is bad for record companies (and good for fans): it makes too much music available. As content becomes increasingly ubiquitous, it loses value; just look at how few print publications are able to charge successfully for their online counterparts. While there are certainly some people who are willing to pay for digital music, few of them appear to be willing to pay that much for it.”

A New Way To Hear/Present Concerts

The way that we go to the opera, the theatre and the concert has hardly changed for centuries. The great majority of such attendance takes place in venues conceived on the model of churches. The performers do their thing at one end. We, the audience, sit silently in rows in the rest of the building and look at them doing it. This can be a difficult and even intimidating experience for those who are not used to it, especially in badly designed or unsuitable spaces. But you have only to attend a performance in a different kind of venue to see at once the possibilities for addressing the access problem in a different way.” The London Symphony has a new venue. “It is not just a huge step forward for this most dynamic of Britain’s orchestras, consolidating the LSO’s role in the vanguard of orchestral music in London. It is also a step down a path that other performing arts organisations of all kinds will surely have to follow eventually – if they have the funding – of changing the terms on which orchestras meet their audiences.”

Heavy Reading (How Do They Do It?)

So you’re a book editor and it’s your job to read books. But there are so many of them. So you go through maybe ten a week – a good 400+ in a year… “So how do professional readers get through the required reading for their ‘plum’ jobs? It is a given that most people in the industry have to read (manuscripts) outside of work hours, in their own time. There’s too much going on otherwise.”

Music: Electronic Inroads

Almost all popular music uses some form of electronic instrumentation. Not in classical music though. “The future of innovation in music seems almost surely to be in digitally created music whose origin is either purely electronic or in imitation of acoustical sounds, “rather than string instruments growing extra strings or things like that.”