Opera Of The Hear And Now

“It’s a fallacy to think that this is new. But for some reason, the idea that opera can be topical has carried with it a whiff of provocation, even titillation, since the earliest days of the genre, when thinly disguised mythological narratives referring to contemporary rulers were a standard feature of every self-respecting state celebration.”

Sundance – Reinventing Coming-Of-Age

“If anything, independent films that train a careful eye on that singular moment when someone begins to first define who they are, who they will become, are a deeply entrenched Sundance tradition. But no more. Oh, the young and troubled are still here in force, but the rules are being rewritten by filmmakers with a genre-busting consistency that suggests something larger and much more exciting is at work.”

Composer Milton Babbitt, 94

“Mr. Babbitt, who had a lively sense of humor despite the reputation for severity that his music fostered, sometimes referred to himself as a maximalist to stress the musical and philosophical distance between his style and the simpler, more direct style of younger contemporaries like Philip Glass, Steve Reich and other Minimalist composers. It was an apt description.”

The Bi-Coastal Mr. Tilson Thomas

Michael Tilson Thomas has two long-running orchestra gigs.”Even good relationships between conductors and orchestras can lose a little chemistry. But he is a cultural force in San Francisco, and the vitality of the orchestra is palpable. Next season it celebrates its centennial. Meanwhile, a spirit of renewal pervades the New World Symphony.”

Oscars’ Odd Approach To Foreign Films

“An elaborate and mysterious winnowing process pares down the thousands of potential nominees to five. The usual pre-nomination handicapping — the canvassing of critical opinion and the weighing of popular sentiment — does not apply to these movies, which might in principle make the choices less compromised, but in practice only serves to make them more confusing.”