Studios: Kids Yes, Oscar-Quality No

So where are the movie studios at Oscar time, asks Kenneth Turan? Off making money with the kids. “To see how completely the studios have abandoned the adult audience — for what are Oscar-type films, if not films made with those people in mind — just look at the origins of the five pictures with the most nominations. For the reality is that none of them have any but the most tangential relationships to the majors, if they have any relationship at all.”

Politics And Oscar’s Best Picture?

Why were Fahrenheit 911 and “The Passion of the Christ” left off Oscar’s Best Picture list? “As with almost everything to do with both of these pictures, few can agree about why they were left out. While arcane academy rules and the vagaries of Oscar campaigns seem to have worked against Moore and Gibson, some insiders argue that Oscar balloting is a relatively straightforward meritocracy — the community simply liked other pictures better. Others point to a lingering distaste among some voters for Mel Gibson’s public pronouncements during the film’s release publicity campaign.”

Philip Johnson, 98

Philip Johnson, dean of American architects, has died. “By his own description, Mr. Johnson was an architectural traditionalist. But in his view, the best use of tradition was “to improve it, twist it and mold it to make something new of it.” He once described architecture as “exuberance, like sex or taste.”

A Philip Johnson Legacy

“Johnson’s own architecture received mixed reviews and often startled the public and his fellow architects. Because of his frequent changes of style, he was often accused of pandering to fashion and of designing buildings that were facile and shallow. Yet he created several designs, including the Glass House, the sculpture garden of the Museum of Modern Art, and the pre-Columbian gallery at Dumbarton Oaks in Washington that are widely considered among the architectural masterworks of the 20th century.”

Are The Oscars Losing Their Allure?

“The glaring problem facing the Oscars is that when you have too many contests, one on top of the other, they begin to cancel each other out. The Academy of Motion Picture Arts and Sciences, which hands out the statues, has tried to ease the problem by shortening the season in the last couple of years, moving its ceremony to late February from a customary slot in late March. But relentless campaigning still yields grueling political elections without much surprise. A collective yawn has begun to rise. A cover story in this week’s Variety traces the long-term decline in the television ratings of all awards shows, including the Oscars. The consensus is that the format desperately needs overhaul.”