Incoming Director Of DC’s National Gallery Is Bringing Quite A Lot To The Job

Kaywin Feldman is coming to Washington from the Minneapolis Institute of Art, where attendance more than doubled during her ten-year directorship. As Peggy McGlone reports, Feldman did that with an engaging and persuasive personality, a belief in data-driven marketing, and a commitment to serving multiple communities. — The Washington Post

Upright Citizens Brigade To Close One Of Its Theaters

“[UCB], facing substantial financial pressures, announced on Wednesday that it would be closing its East Village location in Manhattan, a month after laying off several staff members. That will leave the comedy theater with three venues: Its struggling flagship in Hell’s Kitchen, which opened last year, and two locations in Los Angeles.” — The New York Times

Sergei Polunin Gets Himself In Trouble Again, This Time With Homophobic Instagram Post

“Though Polunin has long had a reputation for behaving inappropriately, in the last month his posts have been somewhat unhinged. … A troubling tirade about gender and sexuality remains on his feed, … though it’s hard to discern his point through his manic language.” In reaction, some Paris Opera Ballet dancers are objecting to his upcoming guest appearance in the company’s Swan Lake. — Dance Magazine

Royal Shakespeare Co., Punchdrunk, Philharmonia Orchestra At Work On New Immersive Virtual Reality Project

“The RSC-led performance project is a collaboration of 15 organisations, including Epic Games, the creator of online video game Fortnite. Other collaborators include theatre company Punchdrunk, the Philharmonia Orchestra and Manchester International Festival. … Public body Innovate UK is awarding the funding as part of its Audiences of the Future programme.” — The Stage

That Caravaggio That Turned Up In An Attic? French Gov’t Decides It’s Not Authentic And Can Be Sold

“The painting, found in April 2014 in the attic of a house near Toulouse, southern France, was thought to be another version of the famed [Judith Beheading Holofernes] by the maverick 16th-century Italian artist.” The French ministry of culture promptly put an export ban on it and reserved the right to buy it for a national museum — an option the government has now allowed to expire amid continuing questions about the Caravaggio attribution. — The Art Newspaper