Score One For the Little Guy

A Norwegian court has acquitted an Oslo teen of video piracy charges levelled against him by Hollywood studios. The teen had broken the encryption code on DVDs he had purchased in order to play them on his Linux-based computer. The court ruled that no one can be convicted of breaking into his/her own property, and that the charges were without merit. Free speech advocates hailed the ruling, while the studios said that they were examining their options for an appeal.

Jean Kerr, 80

The celebrated playwright Jean Kerr has died of complications from pneumonia at her home in New York state. Kerr, who is best known for penning the collection Please Don’t Eat The Daisies, which was later made into a film, also had multiple successes on Broadway, and was admired for her willingness to poke fun at the show business industry. Kerr was 80.

Museum Cuts in Pittsburgh

“In an effort to trim its 2003 budget, Carnegie Museums of Pittsburgh is eliminating its film and video section and permanently laying off 17 full-time and four part-time employees. In addition, six employees have resigned voluntarily and 22 vacant positions will not be filled. The loss of 49 total full-time and four part-time positions is expected to save the parent corporation $4 million this year.”

Beantown Organ To Get New Life

Deficits? What deficits? As most American orchestras are scrambling for the funds to cover their basic costs, the Boston Symphony Orchestra is unveiling a project which will see the complete overhaul and restoration of one of the country’s great organs, located at the BSO’s Symphony Hall. The restoration will cost $3 million (the cost includes a special endowment which will take care of furture maintenance) and should be complete in time for new music director James Levine’s debut with the orchestra in 2004.

If You Can’t Beat ‘Em, Tie ‘Em Up And Yell At ‘Em

A small Vancouver theatre company was tired of staging plays that didn’t get reviewed or else received poor notices, and needed a fresh idea to promote their latest production. So they kidnapped four local theatre critics, tied them to chairs in front of their theatre, and yelled insults at them. (Okay, okay, the critics were willing participants. But it’s still a pretty cool image…)

A Tax For Musicians That Musicians Don’t Get

In Canada blank CDs carry a 21 cent tax “collected from technology companies to reimburse the music industry for losses incurred by music copying and swapping.” Now the industry wants to increase the fee to 59 cents. There are also proposals to slap a fee on devices which record media. But there is growing opposition – “Since 1999, the CPCC has collected more than CN$28 million in copyright compensation fees. It expects to collect more than CN$100 million in levies next year.” And yet, critics point out that the music industry hasn’t paid a penny to musicians…

Film Boom In Thailand

“Thailand says it expects a record windfall this year from foreign film-makers lured there by its exotic locations and liberal industry regulations. Officials announced on Tuesday that they expected to rake in 1.5bn baht ($35m) during 2003. They have credited the government’s moves to cut red tape governing film shoots and to lower income tax for foreign actors.”

Music Fans Only Want It Their Way

More and more music fans seem reluctant to go to the record store, let alone to concerts, if CD and concert ticket sales are any indication. “CD sales fell last year by almost 11 per cent in the United States and about 6 per cent in Australia as Internet users continued to swap songs for free. Concert sales were also down except among baby boomers who thought nothing of paying high prices to see dinosaur acts.”

The Pirates Aren’t Going Away

The recording industry is acknowledging that, despite its costly and protracted legal crusade to rid the world of audio and video piracy, there will always be music available illegally somewhere online. And in what appears to be a bit of a policy shift, the RIAA’s president is saying that “Our aim is not to completely eliminate music piracy or illegal peer-to-peer services altogether.” But none of this means that file-sharing sites will see any short-term relief from the legal beating they’ve been taking.

The Fringe – Where Adventure Lives

The West End is fine for what it is. But the real risks, the real experiments, are to be found in the fringe. “Freedom, spontaneity, risk, imaginative challenge: all these things were central to the experience of the fringe. They are all notably elusive in the other available theatrical environments, where those considerations drearily familiar from Arts Council feasibility studies – audience expectation of spectacle, long-term planning, product recognisability – reign.”