Should The City Of Prague Take Alphonse Mucha’s Epic Painting Cycle On Tour?

His grandson says no – and sues the city to stop the loan to a museum in Tokyo. “Prof. Karel Stretti, who leads the restoration department at the Academy of Fine Arts in Prague, said the largest of the ‘Slav Epic’ pieces measures 26.5 feet by 20 feet, meaning handlers would have to remove it from its frame and roll it up, which could crack the paint.”

How The U.S. Got A New ‘One Day At A Time’

The showrunner for the new Netflix-owned-and-produced comedy says, “I knew that I wanted to write something personal, I knew I wanted to write a multi-cam, and no joke, the first phone call I got was, ‘Hey, Norman Lear wants to sit down and talk about doing a remake of One Day at a Time.’ Yeah, the stars aligned.”

How To Hack Attention When The Attention Economy Is Where The Power Is

Sometimes a random alignment of stories unexpectedly congeals around a topic. Like today. We found serval stories exploring the idea of how ideas spread. This Lit Hub story discusses the inherent trap of superficiality of translations.

Translators themselves can be said to traffic in words, sounds, images, and more; whether what is trafficked is tangible or intangible, it’s implied that what is bought, sold, and bartered is in any case commodified. When we think about traffic we also inevitably think about congestion, about impediments to smooth circulation—of vehicles, of course, but also, by extension, of ideas and things. While translations do cross borders, broadening our cultural knowledge as they present one language in the terms of another, they can also become an impediment to free communication.

This Smithsonian piece explores the sharing of scientific knowledge. English is the international language of science, but because of it, a lot of ideas don’t get the play they should.

More than half of the non-English papers observed in this study had no English title, abstract or keywords, making them all but invisible to most scientists doing database searches in English. “I think this issue is actually much larger than many people think,” Tatsuya Amano says.

But perhaps the most fascinating story is this by Danah Boyd who talks about thinking about information and power as something to be hacked. Don’t work inside the structures of the traditional information economy, figure out ways to hack the power structures – if the currency is attention, then figure out how to hijack attention and get everyone talking about what you want them to talk about.

Indeed, over the last 15 years, I’ve watched as countless hacker-minded folks have started leveraging a mix of technical and social engineering skills to reconfigure networks of power. Some are in it for the fun. Some see dollar signs. Some have a much more ideological agenda. But above all, what’s fascinating is how many people have learned to play the game. And in some worlds, those skills are coming home to roost in unexpected ways, especially as groups are seeking to mess with information intermediaries in an effort to hack the attention economy.

Here’s How You Hack Mainstream Attention And “Reconfigure” Power

“Running campaigns to shape what the public could see was nothing new, but social media created new pathways for people and organizations to get information out to wide audiences. Marketers discussed it as the future of marketing. Activists talked about it as the next frontier for activism. Political consultants talked about it as the future of political campaigns. And a new form of propaganda emerged.”

Louvre Lost $10 Million Last Year With Precipitous Visitor Decline

“2016, for the Louvre as for all sites in Paris, was a difficult year,”Jean-Luc Martinez, president and director of the Louvre, told Le Figaro. “We should finish the year at 7.3 million visitors, 15 percent less than in 2015, and a loss of at least €9.7 million ($10.2 million), not to mention the lower revenues in booksellers or restaurants,” he elaborated following the museum’s announcement.

Om Puri, Character Actor With Career In Bollywood And The West, Dead At 66

He first made his mark in the art cinema that developed in India in the 1980s; later, he moved regularly back and forth between popular and indie movies in India (acting in at least three different languages) and film and television in the U.S. and Great Britain (The Jewel in the Crown, East Is East, City of Joy, The Reluctant Fundamentalist, Charlie Wilson’s War).