A LONG WAY TO MAINSTREAM

The e-book publishing community thought it was finally going to receive some overdue recognition at the first annual International eBooks Awards ceremony last week in Frankfurt. That is, until the list of finalists was announced. “Almost all of the books on the shortlist were by acclaimed print authors from big publishing houses The controversy highlights some pressing issues for e-publishing – Will e-books offer a way for writers who’ve been snubbed by the big houses to find success marketing their books directly to readers? Or will e-publishing simply present the same books and authors currently found in bookstores, only in a different, less tangible form?” – Salon

WRITERS – WHO OWNS YOUR WORK?

“The press would have you believe that the worst copyright infringement occurring on the Internet is by lone hackers sitting at their computers. However, corporate owned and controlled newspapers and television news organizations are hardly disinterested parties in this story. It may turn out that individual writers (which, potentially, could be anybody) have more to fear from people in suits trailing phalanxes of lawyers.” – *spark-online

POP CRITIC WONDERS ABOUT THE HONESTY OF REVIEWS

The world of popular culture is filled with profanity. But you’ll never read any of that included in newspapers’ accounts of pop music events. Isn’t the absence of same leaving out a part of the story? “Do readers really think that the sight of an f- over their morning coffee will have them unwillingly rubbing shoulders with Satan? Will an s- send them spiraling downward into a sweeping, swirling eddy of moral despair?” – San Jose Mercury News

WHO’S CONTROLLING WHAT WE READ?

Publishing has gone to hell, says a senior publisher. And why? “Five major conglomerates control 80 percent of American book sales,” he says, speaking of Bertelsmann, the mammoth German firm that owns Random House; Rupert Murdoch’s News Corp.; Time Warner; Disney; and Viacom/CBS. In 1999, the top 20 publishers accounted for 93 percent of sales.” – Washington Post

BRAVO, BOOKER JUDGES

“One of the complaints often levelled against Britain’s premier literary prize is that it functions as a kind of club, nominating a certain kind of ‘literary fiction’ chosen from a limited pool of potential ‘Booker’ writers. Deliberately or not, this millennial short list has turned its back on a number of established writers, any one of whom might, in another year, deserve a place on some other ideal Booker shortlist. – Daily Mail & Guardian (South Africa)

THE MORE THINGS CHANGE…

E-books are poised to transform the infrastructures and revenue structures of the publishing industry, but can the developments really be called a “revolution?” “These new technologies will alter the way books are transmitted, but the author’s task will remain essentially the same as when Homer sang the Odyssey and Dickens presented his novels, chapter by chapter, before enchanted listeners.”- New York Review of Books