A Definition Of Modernism Not By Artists But The Bureaucrats Who Used It As A Weapon In The Cold War

“Cold War modernism,” then, doesn’t refer to experimental artwork produced between the end of World War II and the Reagan administration, but to “the deployment of modernist art as a weapon of Cold War propaganda by both governmental and unofficial actors as well as to the implicit and explicit understanding of modernism underpinning that deployment.

Remember That Time When Google Was Buddying Up To Librarians? (Long Gone)

“Don’t get me wrong, we’re doing pretty great on our own, better than ever really. We’ve gotten a bit more independent, not putting all of our eggs into any one basket, gotten better at establishing boundaries. Still not sure, after all that, how we got this all so wrong. Didn’t we both want the same thing? Maybe it really wasn’t us, it was them. Most days it’s hard to remember what we saw in Google. Why did we think we’d make good partners?”

In Bombed-Out, Besieged Syrian City, Volunteers Assemble 15,000-Volume Library

“It is a place of learning and ideas, with books salvaged from the wreckage outside … A photocopy of an old history book, a shelf full of children’s stories, and self-help books by Tony Robbins, sit alongside a J.M. Coetzee novel, a volume of Islamic scholarship, and slim editions of Arabic poetry by Mahmoud Darweesh or Nizar Qabbani. They are read by candlelight during lengthy power outages or at the war front by rebel fighters.”

What 74 Years Of New York Times Crossword Puzzles Say About The Language We Use

“The results are imperfect, since the puzzles can be tricky and there is a lot of overlap between English and foreign words. But the broad trend is clear. The puzzle today uses one-third fewer non-English clues and answers than it did at its peak in 1966, and makes two-thirds fewer international references than its peak in 1943.” (includes interactive puzzle)