How The Author Of Wolf Hall Actually Gets Her Writing Done

“I used to be a late starter, but now I get up in the dark like a medieval monk, commit unmediated scribble to a notebook, and go back to bed about six, hoping to sleep for another two hours and to wake slowly and in silence. Random noise, voices in other rooms, get me off to a savage, disorderly start, but if I am left in peace to reach for a pen, I feel through my fingertips what sort of day it is.”

Marketing Has Become Virtual Word Salad

We all know by now that advertising is no longer “advertising.” It’s “content.” But it’s not just “content.” It’s “organic” content. Or “authentic” content. Or “holistic” content — which is apparently different than “integrated” content. Or “optimized” content. Or “bespoke” content. (You think I’m making that up?) And of course, “viral” content — which everybody wants but nobody gets (unless it’s “catvertising”). There’s also “snackable” content and “ephemeral” content, but ain’t nobody got time to define them.

Africanizing Kafka’s ‘Metamorphosis’

“Both stories share the premise of a human body undergoing a change so abrupt and so drastic that the old body is unrecognizable in the new one. But there is a key difference. The Metamorphosis tells the story of a man named Gregor Samsa who wakes up one non-descript morning and finds he is a human-size bug. But in Blackass, Furo Wariboko wakes up and finds he has been transformed into a white man while his buttocks remain black.”

Department Of Don’t Worry: Books Will Never Be Replaced By Digital Files

“The book industry is too complicated to distill into any one of those sweeping theses. Print books have persisted, but ebooks are not going away. Amazon is powerful, but physical bookstores are still here. The book is not immune to the powerful digital forces that have re-shaped so much of the rest of the world. At the same time, books have been able to resist the forces of change because books really are different.”

Salman Rushdie On Shakespeare And Cervantes

“Cervantes and Shakespeare almost certainly never met, but the closer you look at the pages they left behind the more echoes you hear. The first, and to my mind the most valuable shared idea is the belief that a work of literature doesn’t have to be simply comic, or tragic, or romantic, or political/historical: that, if properly conceived, it can be many things at the same time.”