A History Of Processed Words

In 1983, Michael Crichton told Merv Griffin that, “When you type, the words appear on the screen … you can move around on the screen, change what you’ve written, pull blocks of text, put them elsewhere. You have complete freedom.” His disbelieving glee was shared by many, but some writers reacted differently.

Can A Book Be Good Even If Its Politics Are Terrible?

Adam Kirsch: What could be more cruel than Dante’s Inferno, with its sadistic vision of divine justice? … Art will always exceed ethics, including political ethics, in the same way that the possible exceeds the desirable.”
Zoë Heller: “If we couldn’t find anything to delight or instruct us in the works of sexists, racists, anti-Semites and people who believe in the divine right of kings, our literary canon would barely fill a medium-size handbag.”

30 Years Of Chernobyl In Literature

“Through three decades of literary response, Chernobyl has undermined the sort of authoritative depiction that might bring closure. But something closed can be forgotten. The finest works express profound doubts about the power of language to absorb a disaster of this magnitude, and so continually reopen it to new ways of being remembered.”