How A Novelist Made Peace With Criticism: Curtis Sittenfield On Being Reviewee And Reviewer

“I’m aware more than I was before I had books published that any review is a bit arbitrary – it’s not really, say, The New York Times that’s authoritatively weighing in on the quality of a book, though it seems this way to the public. It’s actually one reviewer weighing in (maybe a daily reviewer like you, but maybe a random novelist like me who reviews one or two books a year), and all of us as individuals have quirky, subjective taste.”

Nobel Prize Winner Svetlana Alexievich On How She Learned To Listen

“My parents were both village teachers. The village was full of women. And they had to work very hard during the day, there were no men left in the village, and after they were done with work – the village was full of benches – they would all come outside and they would talk. It was scary to listen to them, but it was also very interesting. They talked about war about death about loss, because some lost their husbands recently and this was much more exciting and much more interesting than reading the books that we had in the house.”

Writer Attacked And Harassed In His Home Village, Even As His Books Draw Acclaim In English Translation

“After undergoing a vicious attack by caste leaders in his home state of Tamil Nadu, his novel One Part Woman last month was the subject of a landmark court decision defending the right of artists to critically depict their own communities. Recent interest in [Perumal] Murugan’s work has exploded, with five novels coming out, translated into English from the original Tamil. But Mr. Murugan seems unsure of what kind of writer he will be now.”

What Distinguishes A Sentence As A Masterpiece

“If we think of a library as a city and a book as an individual house in that city, each sentence becomes one tiny component of that house. Some are mostly functional – the load-bearing wall, the grout between the bathroom tiles – while others are the details we remember and take away, perhaps recalling their texture and colour when we assemble our own verbal dwelling-place.”

How To Write Stories, According To A Hugo Nominee (Now A Winner)

“I live on these borders – and these borders that allow me to see from multiple perspectives and kind of take things in and then kind of process certain ideas and certain stories in a very unique way. And that has led me to write this strange fiction that I write, which really isn’t that strange if you really look at it through a sort of skewed lens.”