Nobels For Literature Are A Ridiculous Idea. But This Year’s Award Makes Them Relevant!

“I have to admit that the judges have done something remarkable. And you have to say, chapeau! For they have thrown the cat among the pigeons in a most delightful manner. First they have given the prize to someone who wasn’t courting it in any way, and that in itself is cheering. Second, in provoking the backlash of the purists who demand that the Nobel go to a novelist or poet, and the diehard fans who feel their literary hero has been short changed, they have revealed the pettiness, and boundary drawing that infests literary discourse. Why can’t these people understand? Art is simply not about a solemn attachment to this or that form. The judge’s decision to celebrate a greatness that also involves writing is a welcome invitation to move away from wearisome rivalries and simply take pleasure in contemplating one man’s awesome achievement.”

How The Spaces Of Los Angeles Made A Poet

“To have been born and raised in such a place is a stain on the psyche and a strange blessing, an embrace of soft air all your life, laced with whiplash Santa Ana winds sweeping off the wastes of the Mojave and electrifying an atmosphere already charged with the energies of untethered development and entrepreneurial ambition. Buildings are constructed and routinely erased, yet they remain implanted in the native’s mind like seeds of some vaguely remembered myth.”

Sales Of Bob Dylan’s Books Soar And Sell Out

“Dylan’s memoir, Chronicles: Volume One, jumped from No. 15,690 on Amazon’s best-seller list on Wednesday night to No. 278 in the wake of the Nobel news, and it is now out of stock. Meanwhile, a bound compilation of Dylan’s lyrics, The Lyrics: 1961-2012, hopped from No. 73,543 to No. 209 in the same time frame. (Dylan’s music also saw the effect, with Bob Dylan’s Greatest Hits and Blonde on Blonde making it to Amazon’s top 25 for CDs and vinyl by Thursday night.)”

What Would Shakespeare Make Of All These Novelists Reimagining His Plays?

Adam Gopnik, reviewing several titles in the Hogarth Shakespeare Project: “We are supposed to say that he would be pleased, but in truth he would be puzzled. … The low-key, chastened, anti-dramatic movement of Anne Tyler’s imagination – no marvels or events, really, just inner action rebounding off half-spoken idea – would have baffled him. This sells? He was used to getting half of London on their asses for a play, and he knew you needed bloody scenes and children baked in pies to do it.”