The Ghostwriter’s Dark Arts

“She went from sort of daffy and inattentive to intimately involved with her client’s world. Her head cocked, her timbre lowered, and she understood everything. A client could have sat down and told her they were going to murder their parents and she would have said, “Well, they have been very mean to you.” With her, the clients felt heard. They’d open up their lives, reveal deeply buried trauma. She was a truly fantastic interviewer.”

Ralph Ellison’s ‘Invisible Man’ Is About More Than We Thought, As A High School Teacher Learns

Clint Smith: “My classroom was filled with almost exclusively black and brown students, many of them undocumented immigrants. While Ellison wrote of invisibility as a black man caught in the discord of early-twentieth-century racism, this particular group of students read the idea of invisibility not as a metaphor but as a necessity, a way of insuring one’s protection.”

Martin Amis: Within A Generation Literary Culture As We Know It Now Will Be Gone

Zadie Smith said to me years ago, “Everything we think of as literary culture will be gone in a generation and a half.” She said, “It will last your time, but it won’t last mine.” I don’t think it will ever disappear, but it will shrink. It will go back to what it was when I started out, which is a minority interest sphere, which some people happen to be very interested in.

A Rant Against Political Correctness

Jonathan Foreman: “If you have had much to do with liberal intelligentsia in the U.S., they like to think they are above their own country, and they often have contempt for their compatriots, and they think they’re better. They think that being super-critical of the United States exempts them. When they talk about Americans, they don’t think they’re talking about themselves. They’re the same people who are always vowing if Bush wins the election, they’re moving to Italy. They never move to Italy.”