The Grammar Police And Do They Matter?

The last time I Googled “grammar Nazi,” I got 1,660,000 hits, including many images of a “G” that looks like a swastika. “Grammarian” drew only 1,230,000, even though grammarians were performing their evils long before Hitler. The Urban Dictionary’s top definition of “grammar Nazi” was “someone who believes it’s their duty to attempt to correct any grammar or spelling mistakes they observe.” Not a very appealing someone. The next definition was “a person who uses proper grammar at all times, esp. online . . . ; a proponent of grammatical correctness. Often one who spells correctly as well.” “Grammar Nazi” seems harsh for this correct speller. Does the punishment fit the crime?

Why Is There Not Yet The “Great” Millennial Novel?

Where are the successors to “This Side of Paradise,” “The Sun Also Rises,” “The Catcher in the Rye,” “On the Road,” “Fear and Loathing in Las Vegas,” “Bright Lights, Big City,” “Generation X” and “Infinite Jest”? Time’s Lev Grossman blames our increasingly “multicultural, transcontinental, hyphenated identities and our globalized, displaced, deracinated lives” for why any consensus about a single voice now seems impossible. I’d go even further and argue that the “voice of a generation” novel never existed to begin with.

Are Facts Knowledge? The Classic Essay Tries To Persuade

“There are genres whose principal business is fact—journalism, history, popular science—but the essay has never been one of them. If the form possesses a defining characteristic, it is that the essay makes an argument (and does so, unlike academic writing and other forms, for a general rather than a specialized audience). That argument can rest on fact, but it can also rest on anecdote, or introspection, or cultural interpretation, or some combination of all these and more. There are “public essays” and “personal essays” and essays that are both or neither; the form is broad and various and limitlessly flexible. Yet what distinguishes an op‑ed, for instance, from a news report is that the former seeks to persuade, not simply inform.”

Why Are Bookstores Thriving In Berlin?

“Despite the rise of the predatory online and mass-market bookseller, the dark specter of Amazon that has caused roughly one-third of indie bookstores in Britain to close in the last decade, Berlin is undergoing an analogue reading renaissance with more owner-run bookshops opening than shutting in recent times.”

Iconic Bookstores Around The World That Are As Atmospheric As They Are Literary

“When you walk into the shop, the books appear to reach impossible heights and stretch clear into the distance, an effect created by the perfect symmetry of the dark wooden shelves and the clever use of mirrors on the ceilings and walls. In an amphitheater-like room for readings and lectures, the impression is amplified by the reflection of the curved wall in the mirrored ceiling; it feels as if you are completely surrounded by a rainbow of book spines. In yet another room, the books are arranged on thin columns placed randomly around the room like trees in a forest, with benches interspersed for reading. Again, a mirrored ceiling makes the shelves appear as if they are not just trees, but towering redwoods.”