Frank McCourt Talks About The Perils Of Popular Success For Your Work

“The sheer volume of sales substantiates that readers respond powerfully to memoirs. McCourt’s work has been dismissed all too glibly as misery memoir, and deemed to be commercially driven or aesthetically and politically naïve by his detractors. Meanwhile, his supporters have responded to the emotional impact of the texts rather than discussing the complex set of diverse materials upon which McCourt has formed his narrative: namely Ireland itself, the status of the memoir genre, and Irish-American identity.”

Amazon Is Moving A Brick And Mortar Bookstore To Town, But An Indie Thinks It Can Thrive Anyway

Blue Bunny, a children’s bookstore about a mile up the road from Amazon’s big new Boston-area bookstore, isn’t worried. The owner: “At first my heart sort of sunk a bit, but I realized quickly the response from our friends was what you have in your independent bookstore is very, very different than what Amazon is providing, and I think that we’re going to be OK.”

A Writer Turns To Toni Morrison To Get Past The Fear Of A White Audience

“I’ve known for a long time that as a black person, some white people expect a performance from me, something that might confirm what they think they know about my identity. … What surprised me was that these questions took up so much imaginative space, and did it so quickly, and were in fact so large and puzzling that they stopped me from writing anything.”

George Saunders: What Do Writers Actually *Do* When They Write?

Saunders, whose novel Lincoln in the Bardo just came out and is on many bestseller lists: “We often discuss art this way: the artist had something he ‘wanted to express’, and then he just, you know … expressed it. We buy into some version of the intentional fallacy: the notion that art is about having a clear-cut intention and then confidently executing same. The actual process, in my experience, is much more mysterious and more of a pain in the ass to discuss truthfully.”

The First Fiction Smuggled Out Of North Korea Reveals A Lot About Life There

The book, which was written from 1989-1995 and hidden away until a chain of strangers had the chance to smuggle it out, is a series of stories that “are a frank look at the life of regular citizens trying to get by under a repressive regime. Many of the characters fail to grasp the reality of the world in which they live, either through ignorance, stubbornness, or a misguided hope that the regime is more reasonable than it really is.”