China’s Top Painter Hits A Wall

“Zhang Xiaogang, age 54, a Beijing-based painter whose hypnotic portraits have topped $10 million at auction, recently suffered a pair of heart attacks, and his doctors told him – for the first time in his three-decade career – to rest. Few artists embody China’s art boom better than Mr. Zhang, who grew up amid the Cultural Revolution … Yet his desire to keep breakneck pace with China’s developing art scene has taken a toll.”

What’s The Problem With The Shard? It’s Too Short

James S. Russell: “The surface modeling … [of] facets to catch the varying light, and carved deep vertical seams … gives the tower presence on the skyline, but its proportions, seen full height, are ruinous. It’s too thick at the bottom and looks as if it crushes its brick and stone surroundings – among the most ancient in London – rather than soars out of them.”

Enormous Painting From Uzbekistan Inspired By 1001 Nights To Tour Europe

“It’s longer than an Olympic swimming pool, took two-and-a-half years to complete and fulfils a 40-year dream — a new mega-canvas by one of Uzbekistan’s best-known artists,” Lekim Ibragimov. “[He] started working on the project – named One Thousand Angels and One Painting – in 2010 and put the finishing touches on it in April.”

Why Is Artspeak So Full Of Hype? (Does Anyone Believe It?)

The press release is evasive, couched in vacuous language overseasoned with superlatives: the show “connects absolutely local issues, the most intimate meanings of place and time, with great currents of art and thought”. No details about what these issues or currents may be, of course; and yet this, apparently, amounts to a “groundbreaking premise”.