The Law, The Market, And Artworks Of Dubious Authenticity

“What previous rulings show, however, is that while judges and experts consider the same evidence — provenance, connoisseurship and forensic analyses — they tend to value it differently. For example judges tend to give added weight to the signature of an artist on the work, Mr. Spencer said, whereas experts rely more heavily on the connoisseur’s eye.”

Italian Museum Director Burns Art In Protest

In the age of YouTube and Twitter, Manfredi’s protest has resonated across Europe. Artists in the U.K., Germany, Hungary, and northern Italy are burning their works and sending him videos in solidarity. “Maybe this was the spark,” Manfredi says. “Remember, revolutions need fire, like what happened in Tunisia. That fruit vendor set himself on fire, and then everything exploded.”

Scotland’s National Museum Says It’s “World Class.” Tiffany Jenkins Stoutly Disagrees

“It is not world class, must-see, or spectacular. It quite clearly is not one of the great national museums. It hasn’t the collection to justify that term, but most importantly what it now puts on show is executed with such incoherence it is as if the curators are embarrassed by their knowledge and the artefacts. It may have the audience figures to please politicians and managers, but this doesn’t mean that it is any good. After all, the museum is free to enter and cheaper than child care.”

Long-Lost Raphael Discovered In Bank Vault

Portrait of a Young Man, around 1513-1514, from the Czartoryski family collection in Krakow, was confiscated by the Nazis in 1939 for Hitler’s Führermuseum, Linz. It disappeared in 1945 shortly before the end of the Second World War.” Polish authorities won’t say where it was found, except that it is “in a region of the world where the law favours us.”