From the museum’s description of the logo: “It shows the Whitney as an institute that is breathing (in and out), an institute that is open and closed at the same time. An institute that goes back and forth between the past and the future, moving from one opposite to the other (history and present, the ‘Old World’ and the ‘New World’, between the industrial and the sublime, etc.), while still moving forward.”
Category: visual
The Architecture Of Antarctica
“It is no coincidence that many of the buildings in the first exhibition on architecture in Antarctica, shaped like caterpillars or icebergs, on stilts or stubby legs, will look like science-fiction illustrations – the storms, blizzards, extremes of temperature, darkness and howling winds they have been designed to withstand are so extreme that conditions have been likened to those on Mars.”
Isn’t It Time To Recognize Great Women Architects?
“Female architects don’t often attract the attention of the Pritzker jury. Of the Pritzker’s 37, only two were women, Zaha Hadid, of the U.K., and Kazuyo Sejima, of Japan.”
‘Something Monumental Has Been Happening’: The Met’s New European Art Galleries
Peter Schjeldahl: “I had an eerie sense, while surveying the results the other day, that here was a brand new major institution which, somehow, had plundered the holdings of the Met.”
The Amazing Ambulatory Art Of Pakistani Trucks
“Showcasing the Pakistani tradition of painting vehicles elaborately, the trucks are covered with everything from detailed arabesques and Urdu calligraphy to portraits of Pakistani pop icons – or some combination of all three.”
Frank Lloyd Wright Homes Are Splendid – Unless You Live In One
“It’s often tricky to renovate an architectural treasure while preserving Wright’s innovations, such as radiant-floor heating, carports, built-in furniture and soaring clerestory windows. Meanwhile, permanent easements held by the Wright conservancy on 16 private Wright residences limit exterior alterations.”
Why Is China Copying Western Icons, Towns, Cities?
Hallstatt, Austria, is in China. So is the Eiffel Tower, the Taj Mahal, Christ the Redeemer, and a soon-to-be-completed Manhattan. There are others, too, and it’s all part of this weird (at least to us Westerners, or this one Westerner who is writing this) proliferation of what are being called “copy towns.”
Raid On Prominent Manhattan Gallery
“As newspaper photographers gathered around, agents hauled away computers and boxes of documents as part of a sweeping investigation involving the gallery’s owner, Hillel Nahmad, 34, who is known as Helly and is accused along with several others of playing leadership roles in a $100 million gambling and money-laundering network with connections to Russian organized-crime figures.”
Nearly Half A Billion Dollars: Christie’s Holds Richest Art Auction In History
“Record prices for 12 contemporary artists including Jackson Pollock, Roy Lichtenstein and Jean-Michel Basquiat made history on Wednesday night. The sale of postwar and contemporary art at Christie’s in Rockefeller Center totaled $495 million, the highest sales figure at any art auction.”
Cambodia Presses More US Museums To Return Antiquities
“Buoyed by the Metropolitan Museum of Art’s decision this month to return two stolen statues, Cambodia is asking other museums to examine any Khmer antiquities they acquired after 1970, when a 20-year period of civil war and genocide gave thieves free range to loot the country’s ancient temples.”
