“Mr. Bloomberg has long eyed a return to the more global lifestyle he enjoyed in pre-political days, and London — where he has cultivated deep ties to Britain’s cultural and political elite — is a natural first stop.”
Category: visual
Some Artists Love To Destroy Things In The Name Of Creativity. Why?
“It is an unexpected act of fate that the rich and powerful become consigned to the dustbins of history, and it is a cheerful function of our spitefulness to apply the appropriate entropy to their bodies.”
UNESCO And Museum Council Release Emergency List Of Endangered Syrian Antiquities
“The International Council of Museums (ICOM) has published an ’emergency red list’ of Syrian cultural objects in danger of being looted and illicitly traded. The list, which includes vessels, architectural elements, stamps, coins and figural sculpture, will be distributed to customs officials, police, auction houses and museums around the world.”
Restoration Of 12th-Century Castle Wins 2013 Stirling Prize
“It has been home to three queens of England, served as a parliamentary garrison during the civil war and was a raucous hotel and bar, before it was ravaged by fire one particularly rowdy night in 1978. Now the fortified remains of Astley Castle near Nuneaton in Warwickshire have been declared the best building of the year – winner of the 2013 RIBA Stirling prize.”
Christie’s Opens For Business In Mainland China With $25M Auction In Shanghai
“The most expensive item sold was a ruby necklace, which achieved $3.4 million. … Western art rarely appears in auction sales in Hong Kong and China, but the firm sold three such works” – Picasso’s Homme assis ($1.9 million), Calder’s Black 2-2-6 ($1.5 million) and Warhol’s Diamond Dust Shoes ($784,000).
Operating In China Won’t Be Easy For Christie’s
“Not only will the foreign auctioneers have to do battle with an offshoot of the mighty People’s Liberation Army” – the giant auction firm Poly International, owner by a Red Army-controlled conglomerate – “they will have to operate in a market that is distorted by a mix of under- and overregulation, lack of openness and outright crookedness.”
Zaha Hadid’s Serpentine Gallery Extension Opens In London
“Zaha Hadid’s highly anticipated £14.5m extension of the Serpentine Gallery opens to the public on Saturday. Housed in a former gunpowder depot, the new Serpentine Sackler Gallery is a seven-minute walk from the main gallery.”
Why Zaha Hadid Designs With Curves And Not Corners
“People think that the most appropriate building is a rectangle, because that’s typically the best way of using space. But is that to say that landscape is a waste of space? The world is not a rectangle. You don’t go into a park and say: ‘My God, we don’t have any corners.’ It’s like saying that everyone has to write in exactly the same way. And it is simply not the case.”
The Deeply Conflicted Moscow Biennale
“From its start in 2005, the biennale has gingerly steered a course between the organizers’ ambition to make this city an international center of contemporary art and the reflexive conservatism of a country where the line between what is acceptable and unacceptable can be a fine one.”
What’s The Priority In Choosing LA MoCA’s Next Director?
“Will MOCA ask prospective candidates for its top job how they would address these money issues? Or will the onus be on the museum and its search committee to reassure candidates that they need not fear being chronically hamstrung by financial limitations?”
